Showing posts with label nonsense series. Show all posts
Showing posts with label nonsense series. Show all posts

Wednesday, May 8, 2013

"This Is Not Lindy Hop!" And Other Nonsense

Recently I've read a debate about what is and what isn't Balboa and what it should be etc. It reminded me of a discussion that I've often heard in Lindy Hop - about what is and what isn't Lindy Hop. As with all articles in the nonsense series I want to offer a new approach to it.

The Discussion

To quickly outline the discussion for people that haven't been involved in it I'll mark the extremes. One group of people wants to evolve the dance and they keep experimenting with its parts. The other group wants to preserve lindy hop as it was danced back in the days by keeping new influences out. According to them there are things that are lindy and things that are not.

Preserving Lindy Hop

If we back up one step, we get to the question - What is Lindy Hop? While Lindy Hop is hard to describe there is one part I think is regularly overseen. Back in the day inventing and adding new things to the dance was part of the dance. Swivels and aerials for example weren't always part of the dance. They got added throughout the years. Two things we consider completely part of it it nowadays. Imagine someone walking up to Frankie after he pulled the first aerial and told him: "This is not lindy hop, I don't want to see you do this again in a competition or call it Lindy hop". This is ridiculous!

If we want to preserve Lindy Hop - I certainly do - this part has to be beared in mind as well. Let us preserve lindy hop by evolving it!

Self-Correcting

Does this turn anything into Lindy Hop? No, it doesn't. It opens the possibility for new things to be looked at, tried out and once evaluated either be refused or integrated into the dance. It removes the fear of "not doing lindy hop", when we try out our ideas.

I believe that dances are self-correcting. Some new things will be included whilst others won't. Lindy Hop changed already quite a lot back in the days, at some point it had changed so much it got a new label and in Europe we call it Boogie Woogie. It happened again afterwards, and it became known as Rock'n Roll. I don't think we need to artificially keep things out and attack people for inventing things. Let us sometimes back off a step before telling people they aren't lindy hopping, and just see if it could match in some way, maybe it will be the new swivel or aerial of lindy hop.

Read more in the nonsense series.

Wednesday, April 17, 2013

Freedom For Followers And Other Nonsense

Freedom for Followers sounds great. Three words starting with an f in a row. Together with "leaving space" and "micromanaging the followers movements", we've got a couple of expressions that all somehow suggest that leaders are dominating, taking away liberty from the followers. It's time to see the full-fletched liberation of following in another light.

For those that this is still a gender issue. It is not. You can stop reading. For those that want to know what it is about - the "freedom of followers" implies that followers should do more than just following. It assumes that following is inferior to or less important than leading.

Why We Lead And Follow

Back in the days there was no such thing as leading and following as we know it today. Frankie Manning tells stories on how they told their partners what the next move was.

When Lindy Hop was still small we often shared events with other dances like West Coast Swing. You can read about the revival in a great series of articles called Artistry In Rhythm. A dance is very limited if it consists only out of moves and to have more freedom and probably also inspired from other dances, we started to develop leading and following techniques.

West Coast Swing vs. Lindy Hop

In West Coast Swing the follower decides a lot on what movements she is going for. WCS differs in many aspects to Lindy Hop but the key difference to this discussion is the speed that WCS is danced to. In both dances we speak about fast and slow. Tendency is that slow in Lindy Hop equals fast in West Coast Swing. Slow dancing leaves a lot more space to fill and a lot more time to catch up. If leaders left the same amount of space by not leading in Lindy Hop we would simply be lost. So we need to lead and follow all the time anyway. Now you can start a discussion to what degree things should be lead but this is neither the reason for the problem nor the point of this topic.
Also not the topic are those experiments where leaders and followers switch roles during a dance. There is a reason they stayed at an experimental stage.

It's About Dancing!

Leading and Following are two roles we have added to Lindy Hop so we can communicate better. What we have to keep in mind though is that Lindy Hop at first is two people dancing together - no matter what role they picked in the beginning. Teaching how to lead is a lot easier than teaching how to follow and that is why leaders receive more attention in class; I encourage balance. Both roles are equally valid and don't differ in the difficulty of integrating the role into the dancing.

Following is an art! Stop undervalueing it!

Thumbs up for our fellow dancers that follow!

Wednesday, February 6, 2013

Dance Etiquette And Other Nonsense

Do I have to do one dance or two? Can I refuse a dance? Am I supposed to say thank you, or is that the little sister of "This dance sucked balls"? It's those questions that one faces at a certain time once you've travelled a bit. While there have been many heated discussions about this topic, I'd like to offer a different perspective on these questions. One where it doesn't matter what side you chose.

It is completely normal for any social group to have a set of certain rules. They define the design of interactions and accepted behaviours. It might even be part of the groups identity. Social rules make interactions inside of the group easy and comfortable. Social dance rules arise from the fact that dancers form groups, sometimes country-wise, sometimes city-wise and often even smaller.

Taking A Look At Rules

Let's take the rule how many dances are polite. In the some countries, e.g. USA it is completely normal to dance one dance. In others, e.g. Switzerland it is completely normal to dance two. Now what I've seen happen all over the world that when two people from different countries with different rules meet on the social dancefloor, that one feels afterwards insulted. One might think it is rude of the other person to want two dances, while other one might think the partner didn't like the dance or that they themselves dance like crap and that's why the refused a second dance or said thank you and left. Is one of them right and the other one wrong?

Another example of a common rule that is heavily debated is refusing dances. Is it impolite to refuse a dance? Often the answer is simply yes. But what if your feet hurt? What if you want to dance this song with someone else, because it's your song? What if you need a break? What if you hate this song? What if you don't feel like dancing currently?

Sticking To The Rules

The lindy hop scene is a world wide scene with people travelling all over for workshops. People from different social groups mix all the time. Naturally everybody grows up with a different set of social dance rules. Is there a correct behaviour? There doesn't seem to be, unlike teaching methods, here things are just different. The problem we are facing hence is not that certain people are not complying to the rules and being rude, but rather comply to a different set of rules.

Based on the rules we are used to, we have the tendency to make assumptions about the reasons for someone's acting. The two above described situations usually result in either a bad feeling for oneself or in bad mouthing about others. Both results are going against a good atmosphere and good feelings.

We should remember how we make those assumptions - we make them based on our rules, rules that are supposed to help us get along better. The actual results can hardly get any further away from the original intentions.

Since we've learned in the meantime that pushing our rules onto others doesn't really work well, based on all those hurt feelings from rejections and bad mouthing, we should try to find another way to solve this. 

Breaking The Rules

Ask yourself how important those rules are to you. Ask yourself if they are important enough to feel bad about yourself or make others feel bad. 

Bending those rules or throwing them out of the window is not easy. It also requires a bigger inner calmness to notice those moments where we make assumptions that make us feel inferior or get a bad impression of others. But if you allow for bending those rules and allow for more possible reasons for a person acting in a certain way, it will be worth it, because you'll feel happier and others will too!

If you like being happy, comment on, share or like this article.