Wednesday, March 20, 2013

The Art Of Success

Learning fast is only possible if the learner takes risks and fails from time to time. Once people start taking risks and messing up, those moments have to be used constructively to get a learn effect. How can you support that as teacher?






There are two main ways we can handle problems as teachers. One is helping, the other one is letting the students solve their own problems.

Do It Yourself

I'm always positively surprised by how much students can solve problems by themselves just by trying a few times by themselves and sometimes a change of partners does it. I always start with letting the students attack the new material by themselves when I teach something new, because the more problems students solve themselves the more independent they grow and the bigger challenges they will be able to face and solve in the future. Also the sense of gratification increases.

And Round And Round It Goes


Usually, I let students try three times with their partner, rotate and let them try again. The remaining problems will need some attention. I advocate to not just provide the solution but show how problems get solved. This way,  students can add this new variable to their problem solving competences.

Problems or mistakes are usually already what we want our students to do just missing one or two ingredients to make the soup tasty. To solve problems one needs to learn to what one can pay attention to. So make them switch their focus onto the missing part.

In the very first classes my students usually watch feet, falling into the trap of thinking that dancing is feet, they don't ask me questions about where to place their bodies. In an advanced class the focus to solve a problem for a particular move or technique or visual might be the orientation of knees or their distance.

To change their focus, e.g. tell them to watch the free arm and then demo a bad and a good version and let them try again. Making them aware of a body part they didn't pay attention to will add to their repertoire.

Making them watch their own movement (by demoing what they do, without  mocking them) and then letting them find the error would be alternative to the first option.

Watch Out!


Problems can be dissected almost infinitely. I don't advocate this. Often, something that people see my body "do", is actually a result of of something else that I do. When solving problems, try find the real source, even if it might tackle some topic that was not mentioned in the question. A classic example for this is the free right arm of the leader during a rockstep. Yes it swings back, but I don't actively move it there. It's a result from moving back with my whole body.

Teaching your students how to handle mistakes and problems will turn their failure into success!

Thumbs up/+1 for success!


Read "The Art Of Failing"

A Jazz Song Alphabet by DJ Joanna

Another DJane sent me the letters she likes to fill her words with. It's Joanna Lucero aka as DJ Joanna from Austin, Texas, USA with her alphabet!



At the Clambake Carnival - Cab Calloway
Blue Leaf Clover - Firecracker Jazz Band
Clambake in B Flat - Jimmy Noone
Doin' the Suzie-Q - Lil Hardin Armstrong
Egg Head - Benny Goodman
Feltner Alley Drag - Albanie and her Fellas
Give a Broken Heart a Break - Cleo Brown
Hawkins Barrel House - Bill Coleman
If You're a Viper - Harlem Hamfats
Just Floatin' Along - Roy Eldridge
Krum Elbow Blues - Duke Ellington
Lamplighter - Lionel Hampton
My Bucket's Got a Hole In It - Tin Pan Blues Band
No Calling Card - Wingy Manone
Onyx Club Spree - Stuff Smith
Page Mr. Trumpet - Pete Johnson
Queen Isabella - Edgar Hayes
Roll, Roll, Roll - Hot Lips Page
Spanish Shawl - Kid Ory
Throwing The Switch - Earl Hines
Uptown Shuffle - Erskine Hawkins
Viper's Dream - Mona's Hot Four
Wild Man Blues - Johnny Dodds
You Took My Man - Barney Bigard
Zigeuner - Artie Shaw



Want to see all alphabets? Go here!

If you are a DJ and have an alphabet, send it to me and I'll post it! Keep the alphabets coming!


Monday, March 18, 2013

A Jazz Song Alphabet by DJ Sandrine

Get your ears tickled by Sandrine Gressier aka as DJ Sandrine from Toulouse, France. Let this new alphabet get you in the groove.





All Of Me - Duke Ellington
Besame Mucho - Wingy Manone
Corner Pocket [Aka Until I Met You] - Count Basie
Dipsy Doodle - Chick Webb & Ella Fitzgerald
Easy Does It - The Smoothies
Fuzzy Wuzzy - The Three Peppers
Good Morning - Jan Savitt
Happy Feet - Willie Lewis
I Hope Gabriel Likes My Music - Mound City Blue Blowers
Jesse - Harry James
Knock-Kneed Sal (On the Mourner's Bench) - Lil Hardin Armstrong
Lafayette - Hot Lips Page
Minor Swing - The Boilermaker Jazz Band
Nagasaki - Charlie Barnet
Opus One - The Mills Brothers
Pussy In The Corner - Teddy Powell
Quand J'etais P'tit - Les Pommes De Ma Douche
Red Duster Rag - Kenny Baker
Shivers - The Ramblers & Theo Uden Masman
Troubled - Frankie Trumbauer
Up And At 'Em - Ben Bernie
Vol Vistu Gaily Star - Tommy Dorsey
Walk, Jenni, Walk - Benny Goodman
X-Temporaneous Boogie - Camille Howard (I played a lot this song, but some years ago !!)
Yacht Club Swing - Fats Waller
Zumba - Freddy Johnson



Want to see all alphabets? Go here!

If you are a DJ and have an alphabet, send it to me and I'll post it! Keep the alphabets coming!

Sunday, March 17, 2013

A Jazz Song Alphabet by DJ Impulse

Yet another Jazz Song Alphabet from Germany's capital Berlin. It's Joerg Heidemann aka DJ Impulse who sends a completely different compilation with tunes ranging from current artists to the oldies. Enjoy!


Ah Now - Slim Gaillard & Slam Stewart 
Blue Drag - Freddy Taylor
Cheatin' Cheech - Joe Marsala
Definition Of Swing - Will Hudson and His Orchestra
Exactly Like You - Preservation Hall Hot 4
Fine And Mellow Blues - Nellie Lutcher
Gotta Be This Or That - Joe Marsala
Harlem - Harry Roy and his Tiger-Rag-A-Muffins
It Only Took A Kiss - Big Bad Voodoo Daddy
Jacquet And No Vest - Illinois Jacquet
Kansas City Riffs (LP Version) - Buster Smith
Let's Get Together - Duke Ellington & His Orchestra
Melody In Swing - Don Byas
Never Heard Of Such Stuff - Joe Sullivan
Oh! Baby - Eddie Condon
Pop Goes The Weasel - Raymond Scott and his Orchestra
Quiet Whiskey - Wynonie Harris
Red Hot Pepper - Wynton Marsalis
She'll Keep the Devil Dancing on your Heart - Little Kim & the Alley Apple 3
Take It Easy (2009 Digital Remaster) - Leo Mathiesen
Untitled-Slipped Disc - Benny Goodman
The Vamp - Boots & His Buddies
Wild Romantic Blues - Nellie McKay
Xdono - Alfredo Rey E Sua Orchestra
Your Feets Too Big - Mos Def
Zaza - Rex Stewart


Want to see all alphabets? Go here!

If you are a DJ and have an alphabet, send it to me and I'll post it! Keep the alphabets coming!

Thursday, March 14, 2013

A Jazz Song Alphabet by DJ Chrisbe

Christian Bossert aka DJ Chrisbe, a DJ from Zürich was one of the first ones to respond to the challenge and spelled the following.






At Soundown – George Van Eps 
Better Off Dead (2004 version)  - Linnzi Zaorski 
Caprice XXIV Paganini – Benny Goodman 
Don’t Mention It – Flavio Ambrosetti Sextett 
Evenin’ – Jones Smith Inc.
Flying Home – Jerry Thomas Swingtet
Goon Drag – Sammy Price and His Texas Bluesicians  
Harlem - Scott Wood & His Orchestra
If I Had You – Alix Combelle
Jazz A La Carte – Barney Bigard
Keep On Churnin’ – Wynonie Harris
Lumby – Charlie Barnet & His Orchestra  
Mahogany Hall Stomp – Bunny Berigan & His Orchestra
Number 26 In The Book – Original Teddies
Oh, I’m Evil – Una Mae Carlisle
Paris Blues - Django Reinhardt
Queen Isabelle – Cab Calloway & His Orchestra
Reaxatious – Rex Stewart  
Some Of These Days – Joe Liggins
Texas Chatter – Harry James
Unsophisticated Sue – Jimmie Lunceford  
Vilia – Artie Shaw  
Way Down Yonder In New Orleans – Bill Coleman  
Xyz – Earl Hines
Yes, My Darling Daughter – Glenn Miller
Zig Zag – Casa Loma Orchestra

Want to see all alphabets? Go here!

If you are a DJ and have an alphabet, send it to me and I'll post it! Keep the alphabets coming!

A Jazz Song Alphabet by DJ Dmitry

From Moscow, Russia Dmitry Smolin aka DJ Dmitry sends me an alphabet with lots of goodies!






Ain't It Nice - Alex Hill
Blue, Turning Grey Over You - Fats Waller
Chew Chew Your Bubble Gum - Larry Clinton
Down South Camp Meeting - Glenn Miller
Easy To Get - Eddie Condon
Flash - Harry James
Gentleman Jim - Woody Herman
Hot and Anxious - Don Redman
I Wish I Could Shimmy Like My Sister Kate - Muggsy Spanier
Johnny, Get Your Horn and Blow It - Lionel Hampton
King Porter Stomp - Kansas City Band
Limehouse Blues - Ella Fitzgerald
Meet The Band - Edgar Hayes
No Name Jive - Charlie Barnet
One O'Clock Jump - Chick Webb
Pick-A-Rib - Benny Goodman
Quiet Please - Tommy Dorsey
Red Duster Rag - Kenny Baker
Stuff, Etc - Adrian Rollini
Tailspin - Dorsey Brothers
Up Jumped The Devil - Earl Hines
V-Day Stomp - The Four Clefs
Walkin' The Dog - Claude Hopkins
You Shall Reap What You Sow - Lil Hardin Armstrong
Zooming At The Zombie - John Kirby


Want to see all alphabets? Go here!

If you are a DJ and have an alphabet, send it to me and I'll post it! Keep the alphabets coming!

Wednesday, March 13, 2013

The Art Of Failing Vol. I

As an old proverb says - If at first you don't succeed, then bungee jumping is not for you. Failing is nothing that is part of the culture in which I grew up in and not in many others that I see. Failing is bad. The goal is to succeed. What is often overseen is that succeeding and failing are not mutually exclusive but rather two sides of the same coin. You can only succeed in two ways. Either by doing only one thing, that you've always done, or when trying something new, fail till you succeed. What is failing to learning and how can we include this knowledge in our classes?

A Fail A Day

A wise man once told me, "The best way to advance is to make a mistake a day". If you learn from each mistake, you learn a lot. It's in the nature of learning that you have to make mistakes. Trying out new things always creates possibilities of failure. If you failed you probably tried something new. This is something good and a key to learning! If your culture doesn't support mistakes, you will have a tougher time learning. So what we need to do as teachers is to encourage a culture, an art of failing and provide an environment in which this can happen.

Say It!

When I introduce a technique that is new to students what I see happening is that instead of trying out the new technique, students rather go with what they already know and will try to accomplish the moves or exercises with the old technique. This might prevent them from failing at this new technique, but also from learning it. So tell your students that it is ok to make mistakes. Tell them that prohibiting to make mistakes will prohibit them from trying new things and hence learning and improving. Hearing this from a person you trust should help. A good moment to tell them to do so, is when they are struggling with something new. Tell them that what they are doing is exactly what it needs to accomplish whatever you are trying to teach.

Support It!

Expect failure and learn to deal with it. No matter how well you prepare your classes students will fail. And this is good. If students always advance without ever failing, you probably never actually challenged them. It's a great feeling to fail at first and after some work on it succeed. It gives a feeling of accomplishment. Your job is to create an environment in which mistakes can happen, and then support your students in fixing the problem. Don't get me wrong, don't fix it for them but support fixing!

Live It!

A friend of mine told me he once saw the teacher (male) in class do a movement he hadn't seen him do before. So he asked how this can be turned into action. Instead of a response he got laughter from the other teacher, how ridiculous that would be to do. The result was that the male instructor didn't show the move for the rest of the class, too embarrassed to admit he had done a mistake or even just doing a variation that wasn't intended. Instead of making fun of mistakes, rather take them as opportunity to grow. Don't hide your mistakes, but give your students a realistic picture of what a good dancer is like. Teachers are also imperfect, we also fail. It might be difficult sometimes to see that as student, if the only things they ever see are performances and shows that have been rehearsed behind closed doors for hours. Hiding mistakes in classes will only contribute that students form the subconscious image of the perfect dancer.

Lose your fear of mistakes and if students know, feel and see that we make mistakes too, even need them to advance, and that the words "Try and it doesn't matter if you make a mistake" are not sheer words, but lived experience, hopefully they can reduce their fear of failing, try things out and become faster better dancers.

Read Part 2: The Art Of Success